Here at Blisspop, we aim to show our audience who’s making their mark upon electronic music culture today. We sort through the good and the bad, bringing you the latest sounds. Back at it again with the latest edition of our series, Feedback Friday. This week, our group of Blisspop contributors includes: Justin Barini-Rivers, Yvette Bailhache, Patrick Blinkhorn, Connor McInerney, and Alex Rubenstein. This week’s music includes tracks by Loan,


Brooklyn’s heavy hitting imprint Razor-N-Tape Reserve keeps the summer vibes coming with a new hot one from London-based producer Alistair Gibbs, aka Nebraska. Usin’ Me gets served up four different ways on this EP and it’s Nebraska’s sample-ridden edit that gets things crackin’ first with a highly energized, house infused disco banger. Hard to identify R&B samples have been running rampant on Soundcloud lately, but Nebraska puts a fresh twist on


I would find it hard to believe if I walked past somebody listening to the latest Moods remix without a bounce in their walk or a head nodding in agreement with the beat – that would be the revised definition of blasphemy. An instrumentally chic track crafted by Bondax titled “Real Thing” is turned into a funk-driven dance floor banger by Dutch producer Moods. On his version, we witness a


When I received this promo from Brooklyn’s Big Voyage (aka Elias Ravin) and his sound was compared to Warp Records artists Luke Vibert, Plaid, Clark, and Autechre, my curiosity was piqued. I’m currently undertaking a project to listen through Warp Records’ entire discography, so I’ve become well-acquainted with the previously mentioned artists and the Warp sound is carving a special place in my mind. Big Voyage’s “Jellyfish Bloom (Part 3)”


The powerhouse vocals of Amy Douglas have been featured on many a dance track, with producers such as Eli Escobar, Juan Maclean and Kon combining their disco and house smarts with her singing talents. But as any talented collaborator should, she gets the chance to shine on her own as well. She does just that on her latest release “Never Saw It Coming,” which is presented both in its original form