Feedback Friday is Blisspop’s weekly exploration of the latest tunes being released both in the mainstream and underground electronic scenes. Our dedicated team of virtual crate diggers rotates each week to offer their unique takes on the newest house rollers, techno stompers, experimental cuts, bass rattlers, disco hits and beyond. No matter if the track has 6 plays or 6 million, breaks new ground or retreads the same tired tropes,


Feedback Friday is Blisspop’s weekly exploration of the latest tunes being released both in the mainstream and underground electronic scenes. Our dedicated team of virtual crate diggers rotates each week to offer their unique takes on the newest house rollers, techno stompers, experimental cuts, bass rattlers, disco hits and beyond. No matter if the track has 6 plays or 6 million, breaks new ground or retreads the same tired tropes,


From the hazy but bright lights of the 70’s disco-era, Cerrone rose to international fame with Kongas, a group well-recieved for their appreciation of Afro-Funk rhythms. His rise as a solo artist has led him to be one of the most influential disco producers in not only Europe, but also most of the world.  Known for his extravagant videos, which still get tens of thousands of views today even though


Aeron Premo is not just Blisspop’s Managing Editor with a super cool name. She’s also one of DC’s up-and-coming DJ’s known by the name Rose Corps, and this weekend she will be making her Blisspop Disco Fest debut as one of the local DJ’s supporting Chromeo, DāM Funk, RAC and Robotaki. Big things are in store for Rose Corps so take a minute to get to know her better in


19 years ago this month, our founder, Will Eastman, unknowingly set the stage for a D.C. party series that would eventually launch his own career as a DJ/producer, spawn multiple offshoot events and lead to the creation of Blisspop as we know it. For 15 years, the Bliss party series gave D.C. a monthly reason to dance. In 2000, when Bliss began, Eastman had just started to dip his toes