Matrixxman
Since 2013, the ROAM team has raised the bar for DC’s underground event circuit by bringing solid international headliners to unconventional spaces. Next month on May 20th, ROAM is headlined by the extraordinary techno producer Matrixxman. A favorite among the Blisspop writing team, Matrixxman has produced matte black cybernetic club tools for Spectral Sound, Delft, Unknown To The Unknown, and most recently Amsterdam powerhouse Dekmantel. Ahead of his appearance at

Nan Kolé
Blisspop covered Citizen Boy‘s “Indaba Ka Bani Besibenuza” last summer and our writing team has been discussing gqom over the last few weeks. This month, Gqom Oh! label founder Nan Kolé has a new EP on Black Acre backed by remixes by gqom acts Citizen Boy and Formation Boyz. Citizen Boy’s remix of “Malumz” has a rhythm that skips along in the darkness, a gasp keeping the beat as rolling

The Gaslamp Killer
You would be hard pressed to name a more ferocious DJ than The Gaslamp Killer. His wild gestures, chest rattling bass, and risky selections routinely whip mesmerized crowds into a frenzy. GLK is back in Washington DC on April 27th at U Street Music Hall after a tour supporting Run The Jewels. We got to talk with him about his background, his latest album, and terror. Purchase tickets here. Thank you

Ozker artist image
Whether he’s in the studio mixing down his latest track or in the DJ booth mixing into the next track, Ozker has a profound influence on dance floors in DC and beyond. Last month, Ozker delivered a deep, atmospheric house remix for DC’s igloo two. The remix is decked out with lush synth pads that highlight a powerful bassline, enthralling percussion rhythms, and an inspiring vocal sample in the breakdown. Ozker is one of

In 2012, Cyril Hahn broke out with a sensational house remix of the hit Destiny’s Child track “Say My Name,” and has been delivering tasteful R&B inspired remixes and originals to his fans ever since. As he embarks on his 2017 North American tour, I had the chance to talk to him about his influences, production techniques, and evolution of his sound, as well as what we can expect to