The latest release of DC vinyl imprint, Mysteries Of The Mind, is a sexy house groover by label heads, Chris Burns and Gavin Holland. “Aracari” is a slow burner with tropical vibes to the teeth, wrapping a warm low end in kalimbas, jungle sounds, and the seductive vocals of Jane. This a great track by two individuals who have helped make the house scene as awesome as it is in the district. Grab it April 28th featuring a remix by Hot Creations’s Greg Pidock.
Blisspop head and creator, Will Eastman, is gearing up for a monthly mix series called the Bliss Tapes. It will serve as the perfect primer to the monthly Bliss parties at U Street Music Hall. He’s just dropped the first installment of this new series, and it’s the perfect way to start the week (as well as a great reason to get super excited for this Saturday’s Bliss featuring MK)!! So sit down and chill out with an hour’s worth of tracks ranging from house to disco and techno, and while you’re at it, grab your tickets HERE before they run out!
We’re drawing closer and closer to Factory Floor’s DC debut, and we couldn’t be more excited. To help get us in the spirit, Blisspop resident Steven Faith has cooked up a mix of all Factory Floor originals, remixes, one offs, and everything in between. It’s the perfect jumping point if you’re unfamiliar with the group, and if you are, the mix flows seamlessly and makes for a really enjoyable hour. Stream it HERE or after the jump and grab tickets to next Thursday’s show HERE.
PS. Don’t forget to like our Facebook and send your name to firstname.lastname@example.org for a chance to win tickets!
We have an absolutely massive weekend/week coming your way courtesy of the Blisspop Residents. No need to color it as the lineup speaks for itself. Dive in and come support!
Steven Faith at the Brixton
Baronhawk at The International Soul Society Festival featuring:
Car Crash Set head, Cosby, is back with a recently dropped original track called “Warehouse Track.” The song is a driving analog work out featuring muted chords and a rich web of percussion pounded into submission by the driving kick. True to its name, the track has a distinct late-night warehouse feel and a focus on simplicity and getting lost in the groove. Take a listen below, and if you’re in Seattle in the next few weeks, make sure to go see Cosby at Kremwerk on April 24!