It is my distinct privilege today to share a little secret with you, dear reader. Are you sitting down? Here goes: your favorite DJ doesn’t bend genre. Your favorite DJ just gets covered by lazy music writers who need to find another term for “including tech house and deep house in the same set.” There’s nothing wrong with restricting oneself to a specific sonic palette – in fact, this technique

Ask anyone in touch with the current state of house music and the name Kyle Watson is bound to surface with excitement. Over the past two years, the South African DJ & Producer has become infamous for his unmistakable sound and style amongst American house lovers, with many foreseeing him to be a future heavyweight of the genre. Now kicking off his first ever headline U.S. tour, the hype seems

Feedback Friday, Week 0
Here at Blisspop, we aim to show our audience who’s making their mark upon electronic music culture today. We sort through the good and the bad, bringing you the latest sounds. This is why we have started a new series, Feedback Friday, to bring some of our writers together to give their take on the latest music being released around the world. Our first group of savage critics / music

Flyer for Our DC Event at U Street Music Hall
Best Remix The xx, “On Hold (Jamie xx Remix)” Jamie xx’s grasp of emotive song craft is indisputable, yet he always seems to shine brightest on the dance floor when remixing his own music. The greatest dance music is simple and appeals across genres. Add a dollop of emotion and Jamie has the recipe for something to lose oneself in under the mirror ball time and time again.     Honorable

Kelela Album Image
Best Remix Kesha, “Praying (Oliver Nelson remix)” Swedish producer Oliver Nelson has a knack for making remixes sound even better than the original. If you like what you hear, stay tuned for an exclusive Blisspop interview with him ahead of his US tour. For fans of nu-disco bangers. Best LP/EP Tame Impala, Currents B-sides & Remixes Perhaps it blasphemy to give it to Tame Impala’s B-sides considering these tracks were produced circa 2015,