Jackson Ryland is gearing up to release his Crystal City EP for Italy’s Dabit Records this October. The result is a 4 track ep that does a nice job of balancing Ryland’s techno and deep house sensibilities. The title is a spacey analog work out, pairing mellow pads with a shuffling beat. “JP’s” takes a more raw approach focusing on an aggressive drum pattern accentuated by eerie chimes, and “Up The Shelf” goes deep with a distorted bass making for an easy groove. There’s also a remix courtesy of Steve Murphy that’s full of analog goodness. Check out the preview below and keep an eye out for the release next month:
The Netherlands’ Kraak and Smaak’s acid fueled house party continues with Art of Tones’ dimly lit, 70′s nightclub inspired remix of “Just Wanna Be Loved.” Like a hazy, drunken night through the city traversing from club to club, this single loops and skips with a feverish beat making the track an overly persuasive Machiavellian presence which cunningly inserts the groove into the very marrow of your legs. This feat is compounded with a tripped out vocal by 80′s R&B singer Joi Cardwell and a deep, lounge-y composition which keeps things strikingly laid-back and cool despite the almost sinister backbeat and synth stabs. The sense of balance here is inimitably wary and, for that, it could very well be a dark horse that creeps its way into house sets this Fall. After all, it’s crafty, sharp, and out to make you dance by any means necessary.
Download it now on Beatport or pick it up on September 29 when it hits other digital music platforms.
Earlier this year, RAC’s Karl Kling dropped a fun jam groove aptly titled “Deep In the House Of Love.” It’s recently seen proper release on Mani/Pedi records, alongside an excellent remix from Jeffrey Brodsky (formerly Jeffrey Jerusalem). The resulting track is a deep techno groover that sounds like the original was filtered through a series of fun house mirrors, complete with acid-influenced synths and a completely addicting bass line. It’s playful and easily danceable, putting a nice spin on the track. Take a listen below:
Kristian Martinez, who goes by the name KMRT, is an exciting new find. About to release his first EP through by renowned DJ and producer Tommie Sunshine via his label Brooklyn Fire, KMRT trades in the increasingly popular deep grooves that are turning heads in the dance music scene for pure, unadulterated techno music that’s both fresh and stimulating.
“Runnin’,” one of the singles on his upcoming EP (the appropriately titled “Excavation”), is a champion in the making. Taking a very simple percussive approach with a very trippy, chopped up vocal, this track is an eargasmic example of how exercising basic song structure can stand for itself; you won’t hear any unnecessary filters or echoes to give this track a false sense of build or tension because the groundwork – the very addition of each new beat – is the only build that’s needed. This track is a pedal to the metal hype machine which will without a doubt set the bar a little bit higher during a peak hour set.
Make sure you grab “Runnin’,” as well as the rest of KMRT’s EP, when it’s released on September 9.
Barcelona native John Talabot – who has released a string of exceptional remixes and original pieces over the duration of his career – is back on the map with a swirling alternate mix of the track he just recently remixed for Bicep.
While Talabot’s original remix of “Satisfy” is a gem in its own way, it’s the alternate mix of his remix that really steals the show. Arpeggios attack the track and elevate it to cosmic heights while the downbeat percussion, which is to be expected of Talabot’s production style, litters the ambience with a much needed sense of drive. The end result is a moody, mysterious hypnosis that slathers its techno sensibilities in rich velvet producing a novel contradiction that’s both infallibly organic and remarkably cybernetic in tone. This particular mix really does aim to “Satisfy.”
You can download the alternate mix for free via Bandcamp.